Ok so there i was thinking about what on earth i should attempt to paint next when for no apparent reason i took it upon myself to try something a little bigger and more complicated than i had attempted in oils thus far.The painting is the largest ive attempted to date at 33" x 24" and ,frankly,if it ever gets finished it will be a miracle.after looking at techniques employed by many other fine artists i decided that i would add some yellow ochre-ish colour to my final gesso coat to rid myself of the initial stark whiteness of the background only to find that i actually prefer my stark white backgrounds to the coloured version.Serves me right for ignoring the little voice in my head telling me not to be so artyfarty about it and continue instead with my normal working practice.Lesson learned,keep it simple,if it works for me as is then ignore popular protocol.i have started to underpaint the various components of the picture and started with the plotting of the spots on the leopards coat,i have to admit to finding it mind-numbingly boring and so rapidly moved on to other areas.i do particularly like to procrastinate and so blocking in large areas with simple colours suits my working style as i can use this un-taxing part of the painting to think about how on earth i'm going to tackle some of the other more complex parts of the painting.my main nemesis,green,awaits in the form of leaves in the background.ive never had a fondness for green and the only shade of green i seem adept at mixing is the one i refer to as 'hideous' green.in an attempt to overcome my shortfall in the 'green' department i am shunning all good advice about mixing greens and have ordered some pre-mixed versions to hopefully give me a headstart.as the painting is so large i thought i might adopt a left to right working pattern so as not to put my arm in it too often hence some areas are more worked up than others.suffice to say that i anticipate this painting will take some time to complete and in the meantime i have a few other ideas about to start taking shape on freshly prepared boards
South coast based Clive Meredith is an entirely self-taught artist and has been working professionally since 1993 specialising in detailed portrayals of wildlife from both Britain and abroad. Clive's initial interest in wildlife and the countryside was fostered in his early years, brought up the son of a dairy farmer, and spending hours outside in the Shropshire countryside birdwatching and larking about on the river Severn and its streams in his hometown of Shrewsbury. Working in both oils and mixed media,observation is vital to Clive's working practice.Each painting reveals meticulous attention to detail,achievable only by hours spent in the field observing and photographing subjects in their natural habitat.As a result Clive has become renowned for the stunning realism of his images and an incredibly assured ability to inject real life and character into his works. His art has been extensively published with over 80 limited edition releases to date and can be found in galleries throughout the uk and beyond. In 2010 Clive was named Wildlife Artist of the Year by Wildscape magazine after winning the prestigious annual competition with his image 'The Egret pool' and appeared as a finalist in the DSWF Wildlife Artist of the Year 2010,2012 and 2013 with works exhibited at The Mall Galleries in London. Clive is a member of the Pencil Art Society and the RSPB.