A further layer of graphite(B grade) has been added to the background toning to really lift the skunks tail from the paper and final detailing completed.now i turn my attention to the foreground toning which will take many patient hours to complete and will comprise of at least four layers of graphite t build up the tone and the shadowing under the skunk to anchor the animal.The skunks pose is quite difficult to describe and not readily obvious from looking at the drawing until the shadowing is added then i hope it will make more sense to the viewer unfamiliar with the contortions that the skunk performs whilst offering a warning to 'back off'.the animal stretches out both front and back legs with its front paws off the ground supporting itself instead on its wrists with its belly consequently close to the ground.at this head-on angle its hind legs are pretty much obscurd from view by the front legs and belly fur.the back is arched and that amazing tail is held aloft curled over its back and the fur seemingly seperated into individual filaments.on my drawing you can see on close inspection the first layer of H grade pencil has been applied as far as the front right paw,this will be continued around the animal and then subsequent layers added over the top.
South coast based Clive Meredith is an entirely self-taught artist and has been working professionally since 1993 specialising in detailed portrayals of wildlife from both Britain and abroad. Clive's initial interest in wildlife and the countryside was fostered in his early years, brought up the son of a dairy farmer, and spending hours outside in the Shropshire countryside birdwatching and larking about on the river Severn and its streams in his hometown of Shrewsbury. Working in both oils and mixed media,observation is vital to Clive's working practice.Each painting reveals meticulous attention to detail,achievable only by hours spent in the field observing and photographing subjects in their natural habitat.As a result Clive has become renowned for the stunning realism of his images and an incredibly assured ability to inject real life and character into his works. His art has been extensively published with over 80 limited edition releases to date and can be found in galleries throughout the uk and beyond. In 2010 Clive was named Wildlife Artist of the Year by Wildscape magazine after winning the prestigious annual competition with his image 'The Egret pool' and appeared as a finalist in the DSWF Wildlife Artist of the Year 2010,2012 and 2013 with works exhibited at The Mall Galleries in London. Clive is a member of the Pencil Art Society and the RSPB.