Ive now completed the darkest part of my dog commission which was his ears and using the dark tone set here as a reference point I can now begin to build up the much subtler tones in the dogs coat,which is preominently white and therefore a lot of negative drawing is employed here as I'm drawing shadows to give the piece body.I'm going to put his eyes in fairly early on in the process compared to when I would normally complete them because I feel it gives the client an opportunity to really see meaningful progress from an early stage. as an artist,and I know many of my readers are too,its easy for us to see where the drawing is headed and viewing the mechanics of the process is always interesting but for our clients the important thing is to see there animal appear and know that in choosing us to portray there pet they've made a wise decision.To that end putting in the key discernible features and the animals eyes early on in the process and getting it right will hopefully engender confidence that the finished product will be every bit as wonderful as they had hoped.I hope you'll all continue to enjoy watching this little chaps progress.
South coast based Clive Meredith is an entirely self-taught artist and has been working professionally since 1993 specialising in detailed portrayals of wildlife from both Britain and abroad. Clive's initial interest in wildlife and the countryside was fostered in his early years, brought up the son of a dairy farmer, and spending hours outside in the Shropshire countryside birdwatching and larking about on the river Severn and its streams in his hometown of Shrewsbury. Working in both graphite pencil and oils,observation is vital to Clive's working practice.Each drawing or painting reveals meticulous attention to detail,achievable only by hours spent in the field observing and photographing subjects in their natural habitat.As a result Clive has become renowned for the stunning realism of his images and an incredibly assured ability to inject real life and character into his works. His art has been extensively published with over 50 limited edition releases to date and can be found in galleries throughout the uk and beyond. In 2010 Clive was named Wildlife Artist of the Year by Wildscape magazine after winning the prestigious annual competition with his image 'The Egret pool' and appeared as a finalist in the DSWF Wildlife Artist of the Year 2010,2012 and 2013 with works exhibited at The Mall Galleries in London. Clive is a member of the Pencil Art Society and the RSPB.