These are the progress shots of my latest Hare oil painting as it came together in my studio.The subject was first sketched onto my prepared stretched canvas and then,as is my usual practice,i started work on background elements.I prefer to paint my backgrounds first to ensure I make a good and convincing job of the animals surroundings as my interest can begin to wane in a piece once the main focus of the piece has been completed,so doing it this way round ensures a quality piece throughout.Having completed most of the background with a single coat of oils I made a start on the quick blocking in or underpainting of the Hare itself.I like to use sturdy short flat brushes for the underpainting stage as they are great for scrubbing oil thinly into the canvas.I don't use any thinning mediums except for a dash of liquin to help paint move freely during the detailed painting stage.Once the underpainting is complete and after a day or so to dry I started on the detailed top coat of oils,applying the paint a little thicker and utilising liquin medium to help lay on fur details.Having completed the Hare it was then just a case of completing the foreground snow and adding in the dry grasses.My favourite oils are the hand-made Michael Harding paints but I also use Winsor and Newton artists oils and Old Holland paints for some of my favourite colours.
South coast based Clive Meredith is an entirely self-taught artist and has been working professionally since 1993 specialising in detailed portrayals of wildlife from both Britain and abroad. Clive's initial interest in wildlife and the countryside was fostered in his early years, brought up the son of a dairy farmer, and spending hours outside in the Shropshire countryside birdwatching and larking about on the river Severn and its streams in his hometown of Shrewsbury. Working in both graphite pencil and oils,observation is vital to Clive's working practice.Each drawing or painting reveals meticulous attention to detail,achievable only by hours spent in the field observing and photographing subjects in their natural habitat.As a result Clive has become renowned for the stunning realism of his images and an incredibly assured ability to inject real life and character into his works. His art has been extensively published with over 50 limited edition releases to date and can be found in galleries throughout the uk and beyond. In 2010 Clive was named Wildlife Artist of the Year by Wildscape magazine after winning the prestigious annual competition with his image 'The Egret pool' and appeared as a finalist in the DSWF Wildlife Artist of the Year 2010,2012 and 2013 with works exhibited at The Mall Galleries in London. Clive is a member of the Pencil Art Society and the RSPB.